I'm thinking about swapping out the L for the XL. I don't really play "metal" but rock/hard rock. Big fan of Nuno's tone and what not.
Can anyone enlighten me, would I get a little closer to that Nuno tone with the XL as opposed to the L.
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bsp01 |
L500-L vs. L500-XL |
Lead | ||
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I finally started trying to use my L500-L equipped guitar on a regular basis and have been feeling like I'm missing a little drive. I've had to crank
up some of the gain settings in my preamp to compensate. What am I missing using the L as compared to the XL?
I'm thinking about swapping out the L for the XL. I don't really play "metal" but rock/hard rock. Big fan of Nuno's tone and what not. Can anyone enlighten me, would I get a little closer to that Nuno tone with the XL as opposed to the L. |
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fuzzy beard |
#1 | |||
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Nunos tone is due to his rig, his fingers and the fact that he's Nuno ;-)
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bsp01 |
#2 | |||
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Thanks for the input... think what I'm looking for is the L-500 only a little more output and a little more smooth. The XL sounds like it would fit the
bill slightly better for me.
For the record, I'm not trying to sound like Nuno, and can only aspire to play as well, but I would like to cop a bit of his overall sound. I'll probably just order one and try it out. |
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hopdybob |
#3 | |||
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can it be that you have wired the l500 with a other brand pickup?
and maybe you have a fase problem? |
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bsp01 |
#4 | |||
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No, it's working fine.
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gonzo |
#5 | |||
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i think, that its' not so much 'drive', as it is clarity.
the increased clarity of the 500L, can lead one to think that they're not hot enough, when in fact, they're plenty hot, but much more balanced across the entire spectrum i have two guitars with lawrences in them, one with 500L in bridge, and two other guitars that have other manufacturers (SD) the SD pickups, thru the same exact setup amp-wise, sound blurry and indistinct, next to the lawrences... which actually works sometimes, for recording, when solo tones and rhythm tones are sought that gloss over mistakes in technique. just depends on what you're going after... that's why i have them, to mix different tones and distortion quality to create a bigger picture. but i'd have to agree with fuzzy, in the case of the lawrence equipped guitar, just change your amp to suit the pickups, that's really the best way to approach any guitar, and any set of pickups. |
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gatguy |
#6 | |||
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How many, and what value, pots are you using?
I found my L500 R+XL to be a bit too bright in my setup (2x500k pots). I added a cap/resistor in parallel to the pups and it thickened the tone up a bit. You can probably accomplish the same with some deft EQ-ing, but since I play a number of guitars and don't want to be re-eq-ing, I preferred to adjust the resistive load of the guitar's circuit. |
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bsp01 |
#7 | |||
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It's got two 500K pots. I find the L to be a little harsh. I can dial it out somewhat with the eq but it's not quite right.
From what I understand the "L" is designed for and works best with 250K pots, to live in a Fender environment, but the "XL" is best with 500K pots? I'm just going to get an XL to try it out, the price is good so why not. If it sounds a little better, and give me a bump in output, as well as a mellower high end as fuzzy beard mentions, it worth a shot. |
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fuzzy beard |
#8 | |||
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gatuys comment about the cap/resistor is a good one!
I've used both 500K and 250K pots with the XL, and personally I prefer the 250. |
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grimm26 |
#9 | |||
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Yeah, I don't understand why it is said you need "at least" 500k pots with an XL. If it is too bright for you, use 250k's.
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grimm26 |
cap treble bleed | #10 | ||
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gatguy, out of curiosity did you put a .001uf cap on your volume control or what?
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gatguy |
#11 | |||
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