Jerome..........this from my BL invoice

L-610FN 1.6 Henry Black/Chrome & L-90 8 Henry .01mf 

I can only speak to an L-90 in the bridge and an L-610 in the neck. I'm getting great jazz/blues cleans from the neck and neck/bridge blend.  For distortion I normally us the bridge only. With various distortions from my Axe FX Ultra....Marshall, Fender, Mesa it is not harsh......just what I wanted...needs almost zero eq when recording/mixing.

If I had it to do over I'd go with the same combination.  But.....considering my neck/bridge blend tone, I think an L-90 in the neck would be nice too.

Take this description in light of my tone woods......solid mahogany body with zebrawood cap (suppose to be brighter like maple), bolt on maple neck with rosewood fingerboard.

Hope this helps.....